| Author | Year | Venue |
| Arthur Watkyn | 1960 | Odeon Theatre October 27th - 29th |
| Character | Actor |
|---|---|
| Sylvia Bennett | Phyllis Baker |
| Michael Bennett | Jonathan Cozens |
| Timothy Gregg | Graham Gemmell |
| Inspector Malcolm | Gerald Holding |
| Andrew Bennett | John Agrell |
| Pedro Juarez | Michael Knight |
| Colonel Barstow | William Sleep |
| Doctor Locke | Sidney Banks |
| Role | Name |
|---|---|
| Producer | Kathleen Marfell |
| Set Design | Edward Brown |
| Stage Manager | Peter Faram |
| Lighting | Ian Marfell |
| Lighting | Roger Channing |
| Lighting | Arthur Peters |
| Lighting | John Skillern |
| Wardrobe Mistress | Laura Steel |
| Properties | Margaret MacFarlane |
| Properties | Margaret Jones |
| Sound Effects and Music | Leslie Morris |
| Call Girls | Frances Hartnell |
| Call Girls | Hilary Pearce |
| Scenery constructed by | Jonathan Cozens |
| Scenery constructed by | Stephen Wilkins |
| Scenery constructed by | Sidney Banks |
| Scenic Assistants | David Lea |
| Scenic Assistants | John Lock |
| Scenic Assistants | Edward Brown |
| Scenic Assistants | Esther Rogers |
| Scenic Assistants | Penny Thomas |
| Scenic Assistants | Annette Miller |
| Scenic Assistants | Camille Sim |
| Additional Stage Staff | Timothy Miller |
| Additional Stage Staff | John Croker |
| Additional Stage Staff | Shirley Croker |
| Additional Stage Staff | Jennifer Trood |
| Stewards | Alex Yandall |
| Programmes | Noreen Marfell |
| Box Office | Phyllis Peel Corbin |