| Year | Play | Role |
| 1948 | It’s All Very Odd | Antonio |
| 1948 | When Knights Were Bold | Sir Bryan Ballymote |
| 1949 | Thark | Assistant Stage Manager |
| 1949 | The Winslow Boy | Setting constructed and painted by |
| 1950 | And Then There Were None | Scenery designed by |
| 1950 | And Then There Were None | Scenery constructed and painted under the direction of |
| 1950 | Great Day | Settings arranged by |
| 1951 | Mary Blake | Assisted by |
| 1951 | Playbill | Scenery design and construction |
| 1951 | Playbill | The Settings constructed and painted by |
| 1951 | Playbill | Fred Ingram |
| 1952 | Dear Octopus | Produced by |
| 1952 | Off the Record | Scenic Designer |
| 1953 | The Gioconda Smile | Scenery constructed and painted by |
| 1953 | The Hollow | Scenery constructed and painted by |